Kształtowanie się formy współczesnej sonaty gitarowej

Marcin KUŹNIAR

doi:10.16926/em.2022.17.06

Published: 2023-04-011

Vol. 17 (2022)

The Development of the Modern Guitar Sonata

Marcin KUŹNIAR

Edukacja Muzyczna (Musical Education)

Section: Research articles

https://doi.org/10.16926/em.2022.17.06

Abstract

This article explores the directions of development of the guitar sonata after the year 1950. The development of any given form is a highly dynamic process with each period bringing a wide variety of, frequently contradictory, points of view. In this context, the author performed a formal analysis of four guitar sonatas representative of the period in question: Sonata in A major Op. 17 by F. Werthmüller, Sonata Op. 47 by A. Ginastera, The Blue Guitar by M. Tippett and Royal Winter Music by H.W. Henze. The criterion for selecting the works was to allow a thorough overview of the main trends and views on the sonata cycle form present in guitar music of the second half of the 20th and the beginning of the 21st century. During the research, an image of the sonata as
a cycle emerged which presents the contemporary composers with tools that allow them to pursue their artistic vision while maintaining certain immutable features of the form in question. This article attempts to define this immutable identity of the sonata.

Keywords:

Guitar sonata, form evolution, guitar music after 1950, Franz Werthmüller, Alberto Ginastera, Michael Tippett, Hans Werner Henze

Most read articles by the same author(s)

Marcin Kuźniar, Report on the 3rd International Scientific and Artistic Conference of PhD Students and Young Scientists The Guitar in Scientific Research1, Jan Dlugosz University in Częstochowa, 26–27 April 2023 , Edukacja Muzyczna (Musical Education) : Vol. 18 (2023): "EDUKACJA MUZYCZNA" 2023, t. 18

Download files

PDF (Język Polski) PDF

Citation rules

KUŹNIAR, M. (2023). The Development of the Modern Guitar Sonata. Edukacja Muzyczna (Musical Education) , 17, 157–191. https://doi.org/10.16926/em.2022.17.06

Cited by / Share

Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.

References

Ginastera Alberto, Sonata op. 47, Boosey & Hawkes Inc., London 1984.
Google Scholar

Henze Hans Werner, Royal Winter Music, B. Schott’s Söhne, Berlin 1976.
Google Scholar

Hoppstock Tilman, Przedmowa, [w:] F. Werthmüller, Sonata in La maggiore op. 17 per chitarra, Bèrben, Ancona 1997, s. 2.
Google Scholar

Tippett Michael, The Blue Guitar, Schott and Co. Ltd, London 1984.
Google Scholar

Werthmüller Franz, Sonata in La maggiore op. 17 per chitarra, Bèrben, Ancona 1997.
Google Scholar

Barr Alfred H., Picasso: Fifty Years of His Art, Simon & Schuster, New York 1946.
Google Scholar

Burney William, Wallace Stevens, Twayne Publishers Inc., New York 1968.
Google Scholar

Kowalska Małgorzata, ABC historii muzyki, Musica Iagiellonica, Kraków 2001.
Google Scholar

Newman William S., The sonata in the classic era, wyd. 3, University of North Carolina Press, Asheville, NC, 1983.
Google Scholar

Rehder Robert, The Poetry of Wallace Stevens, Macmillan Press, London 1988.
Google Scholar

Rosen Charles, Sonata forms, W.W. Norton & Company, New York – London 1988.
Google Scholar

Schaeffer Bogusław, Dzieje muzyki, Wydawnictwa Szkolne i Pedagogiczne, Warszawa 1983.
Google Scholar

Fieldman Hali, Schubert’s Quartettsatz and Sonata Form’s New Way, „Journal of Musicological Research” 2002, nr 21, s. 99–146.
Google Scholar

Kitchen John, Baroque solo keyboard music, „Early Music” 1995, t. 24, nr 4, Oxford University Press, Oxford, s. 715–717.
Google Scholar

Opyd Jowita, O sonacie słów kilka, „Internetowa Gazeta Kulturalna Salonu Literackiego” 2018, nr 5 (37), Stowarzyszenie Salon Literacki, brak paginacji; źródło: http://salonliteracki.pl/new/archiwum/2018 [stan z 27.10.2022].
Google Scholar

Daszkiewicz Aleksander, Idea barokowej sonaty na skrzypce solo w I połowie XX wieku, (praca doktorska pisana pod kierunkiem W. Kwaśnego) Akademia Muzyczna w Krakowie, Kraków 2022.
Google Scholar

King Charles, Alberto Ginastera's Sonata for Guitar Op. 47: an analysis, (praca doktorska pisana pod kierunkiem: brak informacji), The University of Arizona, USA, 1992.
Google Scholar

Orszulik Marek, Aspects of the Historical Development of Repertoire for the Guitar: A Case Study of Hans Werner Henze’s Royal Winter Music, Sonatas on Shakespearean Characters, (praca magisterska pisana pod kierunkiem D. Gramit), University of Alberta, Canada, 2016.
Google Scholar

Roman Orlando, Performer's Guide to Michael Tippett's The Blue Guitar, (praca doktorska pisana pod kierunkiem Ch. Brewer), Florida State University, USA, 2003.
Google Scholar

Habela Jerzy, Sonata, Słowniczek muzyczny, PWM, Kraków 1998, s. 180.
Google Scholar