Liberation or imprisonment?

Abstract

Keymo (born 1984) represents photography from the borderline of portrait, act and fashion, in the type of, among others Helmut Newton. It is a postmodern world with a lost identity, and even with its getting rid of in favor of blurring the border of place, time and often the outline of individual subjectivity (specific face, person) that dissolves and disappears even though we see it. We have more to do with individual scenes or frames, like from films by David Lynch, in which characters change into phantoms, imposing their own thought projections on them. We get lost in them, like in a labyrinth with no way out. There remains a ritual on the ruins of an ancient heritage that has become a ruin.